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The Snowball Exercise
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To learn more about other instructors or view other historical bios you may click the links at left.
Martha Russell first uncovered the principles that she called Creative Motion after a lengthy personal study with a variety of teachers. She shared the knowledge of her discoveries with several students - who were also fellow teachers - inviting them to her home in LaJolla, California for several summer institutes held throughout the 1920's.

Opal Gilpatrick was one of those lucky few who were able to live, work and study with Martha Russell at her seaside home. After Mrs. Russell died in 1951, Margaret Allen, another student of Mrs. Russell began to sponsor a week-long workshop at her mountain-top estate near Berea, Kentucky. Opal was promptly requested to become an integral part of the teaching team in those early days, leading the Creative Motion Body Tuning classes and earning both respect and affection from her many eager students. Through her efforts and the work of countless others, Creative Motion study has been passed from teacher to student through the years, and continues to this day.


Select the following link to access more biographical information about Opal Gilpatrick.

The following is Opal Gilpatricks address to teacher's workshops in Louisville, KY which describes teaching the "snowball exercise" to preschool children.


opalphoto
Opal Gilpatrick leads a
Creative Motion Body Tuning Class
on the terrace at
Windswept (circa 1967)

The children are seated. Enlist their attention by some statement such as: "I am going to make a snowball for you."

Standing before them, I do the exercise as I talk:

"I'm going to roll into a snowball. My head drops down, down, down. My fingers touch the floor. One knee slides behind me. The other knee slides down. I sit back on my heels. I place one hand here (at the sternum). I place the other hand on top, like this. I put the top of my head here on the floor, like this. Now I am a ball!"

"Mary, come touch me gently and roll me over." (I roll out, flat on my back and lie quiet for a moment. The children are delighted. Everyone desires a turn. Turns are allowed, as long as the group as the group interest sustains).

"Now, it is your turn to make a ball for me to roll over."

I give the same directions and follow along with the children, at first.

At the end I move about, rolling over each little ball. From the feeling of the body I can tell the degree of "centeredness".

The body should be in equilibrium around the diaphragm center. The pattern of the rollout indicates the relationship of center to circumference. I don't change that. I watch it grow free as the weeks go on.

To play the "going up part" of the games, after the roll-out, I say: "take a big yawning breath against your back and roll over onto your side. Your knees and your head try to touch. Feel your nice stretchy back. Close your eyes. You can feel your back breathe.

Now, let another big yawning breath roll you over onto your knees. There, you are a ball again! Then one foot comes forward with the knee at right angles; and with another big spring against the floor you come up to a standing position.

Continue coming up until your head balances easily on top of your neck."

Click the links below for Opal's favorite sayings and more biographical information.

"Opalisms"
favorite sayings of the beloved teacher
 
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02/03/2006
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